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|Title: ||Aesthetics in Sofia Coppola’s Film|
|Authors: ||Asaari, Azlina Binti|
|Keywords: ||Aesthetics, Sophia Coppola|
|Issue Date: ||12-Feb-2019|
|Series/Report no.: ||งานวิจัยปี 2561;|
|Abstract: ||The Objectives of this qualitative research aimed to study the aesthetic beauty and implications of Sofia
Coppola’s Films. The analysis was based on three films by Sofia Coppola. For movie selection criteria,
choose from Quality films are widely regarded and awarded at various film festivals. The story is about the
girl in the majority.
The results found that Sophia Coppola's cinematic aesthetics were used to present the view through the
eyes of a young woman who looks at each world. Although some content may be very violent, Sofia Coppola
could convey the story in the eyes of women who see the world should have a story. In the hidden form, the
image may not look very intense, but the latent meaning, if interpreted, can reflect quite violent.
The character in the movie Sophia Coppola was often drifting like a dream. Through the world, reflect
on what was the conflict and the crisis they were facing, her movie repeated shots (e.g., looking out the
window at a glimpse of past events). The reliance on the natural light of all Sophia Coppola films, which
gives her a unique signature.|
|Description: ||The 80th Anniversary of Suan Sunandha Rajabhat University
“International Conference on Innovation, Smart Culture and Well-Being”|
|Appears in Collections:||The 80th Anniversary of Suan Sunandha Rajabhat University “International Conference on Innovation, Smart Culture and Well-Being”|
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